a noise/poetry showcase presented by crass lips records. Let’s open some minds and conjure some higher frequencies.
a noise/poetry showcase presented by crass lips records. Let’s open some minds and conjure some higher frequencies.
The next Poets For Peace tour begins today in Richmond and will travel around Virginia before finishing out in Washington DC. I’ll be accompanied by singer-songwriter Marian McLaughlin, whose recent album speaks to the impacts of climate change and the experience of living during the Anthropocene extinction of the majority of species on this planet, and dancer, Erin White, who uses movement to bring attention to the oppressive forces placed on the femme form in our current society. We will be on tour all week and hope to see you at one of our stops!
11: DAY OFF in Charlottesville, VA
12: at 1605 Commune in Washington DC
[email me for details]
Poets For Peace is a collective movement of bringing hope and inspiration onto the road to combat the negative impacts of the Western war machine through dialogue and storytelling. This installment will be fronted by three performers: Marian McLaughlin, Erin White, and Marshall James Kavanaugh. Multi-instrumentalist Marian McLaughlin crafts lyrically-driven songs that stem from her stream-of-consciousness about humanity’s multifaceted relationship with our planet. With improvised movements, Erin White offers a grounded expression of the oppressive forces placed upon the femme form as it is forced to conform to roles outside its comfort. Together their poetic musings will direct the audience towards a sense of inner peace that will shine a beacon of light onto the darkness of the outer world.
upcoming solo performance:
Become a patron: https://www.patreon.com/marshalljameskavanaugh
New moon, next chapter. What goes up, must come down. These chapters about Yosemite are expansive, and yet I still don’t think I’m able to capture everything in my prose about that sacred place tucked away in the Sierra Nevadas. Still, I don’t think that’s the point, though. I think the point is to capture the Deerfield character of wild-eyed awe seeing for the first time such impossible beauty. It’s later in his legend that he becomes an expert in a place of such extremes.
Become a patron by following the link above and gain access to the chapters of my novel as I write them. Different tiers with different rewards. Excerpt below to encourage you to want to read more.
There, there, I pat my wounded ego reflecting on how I’m not one for small talk in front of something so holy anyway, so I give a little wave to the falls and continue my journey, smiling a sad-happy joy to have been spared a few minutes alone with the madness of all there is in the world that’ll outlast us. Another apple and few handfuls of trail mix and I’m up and over that life stream again keeping my eye on the sun’s passage between cloud and mountain, feeling light in my stride, though conscious there’s a rush to beat out night setting in.
Following cairn after cairn in this bare boulder back of a giant, I’m given preview to what true wilderness is, one wrong step and I’m food for the roaming mountain lion, but then I begin again to descend, and with every footfall I understand how those faces going down while I was going up looked so jolly and meditated. It doesn’t take much to bring back down, from the heights above, one’s own personal heaven. All you got to do is climb until there is no more climbing to do and from there take the time to take it all in, both heart and soul nourished upon its glory.
One challenge I find myself encountering while I attempt to write these chapters about Marshall Deerfield’s first trek into Yosemite National Park is balancing layered poetic soliloquies declaring existential intangibilities with descriptions of the necessary action to take this wild-eyed protagonist through such sheer expansiveness of wilderness. The steps he takes to climb each boulder are in essence just as important as the infinite sound of his destination, the peak of a three thousand foot tall waterfall. The poetry of Yosemite is endless, and yet I’m trying to be a modern beatnik or zen lunatic as I write it and really capture its essence with as few words as possible narrowing in on the uncertain truths that make it such an unparalleled natural wonder.
I just uploaded two chapters that I think do a good job at taking on this balance between action and setting. Below is an excerpt from one of the chapters. You can read the rest of it by subscribing at the link above. Any support is greatly appreciated while I continue to trek deeper into this novel. For small amounts a month you’ll be able to preview it as I work on it, as well as read my other published works. Please take a look and thanks!
It’s a sound I hear long before I have completed the trek, a dull roar that replaces the sound of the raindrops giving stillness to the mind with all its immense power of movement so that I am lured closer by the way it cuts away at the air with all that potential.
A group of Japanese tourists stand at its base holding up binoculars to admire its grace and some of them pose for photographs while laughing wildly along to all its ripples. The falls sleek like a needle sewing two faces of rock into one and scattering a cloud of perspiration while the work is done. The tops of those peaks lost to the fog so that the illusion is set that maybe their heights are infinite and that waterfall comes straight from an overturned chalice of mother’s milk exposed to us temperate heathens.
There’s a bench perfectly placed and I have a seat while I try to take in the entire scene, a totally awesome one, tourists dancing by in red and yellow rain jackets like little swans, giggling when some increase in volume causes the whole waterfall to pause and then rupture sending a splash of condensation out into the crowds looking into it. Something strange about the experience even calls for the clown within to do something truly foolish and go swimming beneath that endless power as if a thousand foot drop of water wouldn’t be enough to paralyze even the most graceful of swimmers, but then again maybe that’s the point. This waterfall’s song is so much more than that of its smaller siblings, with each breath of renewed force it causes paralysis freezing the nerves and subduing the mind from thinking. A powerful nothing as big as anything could possibly be.
Writing a novel has been really good for all of my other chores. I find a million and one excuses to keep me from actually sitting down and writing it. Today it was folding my laundry, fixing my bike, shoveling snow, taking a shower, and oh wow! now it’s already time for dinner. Yesterday and the day before I rearranged my room and set up my bookshelf. I even went to a Walt Whitman-inspired open mic and ended up winning runner up in a competition for $100 to see who had the best Whitman-inspired piece of poetry.
That piece was written on the same road trip that this novel is about. We started the trip reciting passages from Leaves Of Grass in the voices that Kerouac and Cassady must have used when they were traveling on the road together back in the days when the Beats were still learning how to rhyme. Eventually we were writing pieces in the same style and one of them that I read last night was judged as second best in a room of Whitman scholars.
The piece is a list of all the cows I saw on the road from here in Philadelphia all the way to San Francisco and back again. A play on the pastoral, set in every type of landscape both urban and otherworldly you can see in this country. Using this nation’s top industry to describe the beauty that these bovine often cause environmental havoc upon.
I guess for me, what stuck out about Walt Whitman is the sense that he’s always making lists. Listing the tiniest details about an odd assortment of working class people and their environment to create a collage of the industrial revolution he witnessed in his lifetime in America. He talked about both the positives and the negatives but let them speak for themselves. And in a sense there was romance in all of the things that he saw, even if some of them were terrible.
The cow piece was a fun piece to write. I had fun having a chance to let it be heard out loud. Didn’t expect much in the way of competition so was happily surprised with its reception.
Anyway, back to the novel…I think it’s a good one. I want to share it with you before it’s published. Open it up to a dialogue. Let you read the pages I’m really proud of.
Like the chapter I wrote last week about Yosemite Valley. I just read it again this afternoon. About ten or fifteen times. That’s another thing I do while writing this novel. Get hung up on chapters that I’m really proud of and then second guess myself that I’ll ever be able to write something as good again. Forget that there’s been plenty of bad novels published that have still been enjoyed by someone. The trick is to just finish them.
So yeah, I’m still writing. Today I’m starting a little later than I would’ve liked to and that’s okay because it’s a miserable winter day outside and I took care of all my other errands that were bogging me down. I’ll keep sharing my progress as it comes.
If you’d like to read the poetry about cows or that chapter about Yosemite Valley go take a look at my Patreon. You can throw me some doll hairs and read my writing. The support will motivate me to keep going on it. Maybe I can even finish it by the end of next month and get started on the next one. There are two novels in my head that have been sitting patiently while I finish writing this one. Anyway, I’d love you to see its pieces and to hear what y’all think. I have a feeling the campaign will be constantly evolving as well, so expect more announcements and other rewards to develop.
Thanks for everyone who’s taken a peek over there. I know there’s plenty of other things to support right now. Travel made me more humble and I’m content with however it all turns out, but think it’s fun to share the process.
Become a patron: http://www.patreon.com/marshalljameskavanaugh
Do you want to help your favorite Dream Poet get through the coldest months of the new year? BECOME A PATRON! I’ve expanded a campaign for you to support my writing and get back for what you give.
Click here: https://www.patreon.com/marshalljameskavanaugh
For any amount you’ll get access to my collections past and future of Travel By Haiku, as well as a behind the scenes look at a novel I’ve been writing for four years now. Give a little more and you’ll be able to read the rough drafts of this novel as well as other collections I’ve published in the past.
The novel I’m working on is about the first road trip I took across the country in 2014. A lot of you have already heard excerpts from it, but for those who haven’t, it takes place mostly in a month-long stretch between San Francisco, Big Sur, and LA featuring a style of borderline fiction and beatnik reflection leaving the reader breathless, caught between dream worlds, seeking the meaning of the American Dream in general. This will be the opening saga of the Marshall Deerfield legend and I am restless to get it to its completion.
I really appreciate any support this winter, since I won’t have as many opportunities to type on the streets and as a result I’ll be living pretty frugally. If you’ve enjoyed my writing in the past, this would be a great chance to support me while engaging in the process.
If monthly fees ain’t your thing and you’re looking for another way to offer support: I’m always open to one-time tips or commissions to write poems for loved ones. Anything and everything goes a long way for this simple poet / zen lunatic. Thanks again for all of the support of my community in the past. I hope to have this novel in a place ready to be published by the end of the year, so y’all can read it from cover to cover.