Filming a docuseries on Walt Whitman’s birthday

Yesterday, Andrew Galati and I embarked on filming the first episode of a docuseries about poetry. It was an experiment as much as a celebration. We wanted to see if we could capture on film all the experiences and conversations around poetry I encounter everyday behind the typewriter when I set up in public spaces and write personalized poems.

Using Walt Whitman’s birthday (May 31st) as a launching point, we traveled to Camden, NJ which is where Walt Whitman spent his last years. But the documentary isn’t about Whitman and it’s not really about either of us either.

It is about how poetry still has an impact in our current day and age. About how the spoken word unites and connects so many different communities. About how it empowers so many people to find their voices to breathe into life a better world.

Andrew and I both thrive in spontaneity, and we had no real plans other than to visit Whitman’s grave and house in Camden, see if we could hone in on his spirit through the typewriter and have conversations with residents about what poetry means for them.

Unsurprisingly, it led to a unique experience of shared stories and overlapping legacies. From the start, we met Rocky Wilson, a teacher and Walt Whitman interpreter. A poet in his own right, he provided a historian’s knowledge about writers that had inspired him in his youth and how growing up around the corner from Whitman’s house first gave him a taste of what a poet can live to be.

After taking our time at Whitman’s grave, admiring the wildlife and sharing moments of silence to hear the breeze, we ventured to his house where I set up my typewriter and wrote poems on demand for passersby. There we met Zulay Rojas, a social activist and admirer of the writers of the civil rights movement. She caught how auspicious it was that the first poem I wrote was about the requested topic “King”.

Whitman’s house is on Dr. Martin Luther King Jr. Boulevard in downtown Camden, which intersects with Broadway, renamed Black Lives Matter Boulevard after the George Floyd uprisings around the country in 2020. In my poem, I combined themes of MLK with the realization in wearing a golden crown that we are all kings, queens, royalty. A poem about self-empowerment as much as about social change. Rojas told us about her own activism and remarked poetry is where magic happens.

Soon we were joined by Youssouf, Jordan, Ron, and Richard. They had driven to this part of the city to wave from the sidewalk to friends and family currently detained in the Camden County corrections facility across the street. A moment for me and Andrew to acknowledge our own privilege in what we face in our own experiences and how they differ, based on circumstances like where we reside, the color of our skin, and what we have available to us. These four had made a ritual of showing up to show support so their loved ones behind bars didn’t feel forgotten. Scheduling a time when their friends would be in front of the window to see their community on the outside.

They each requested poems on topics like “Love”, “Girls”, “Money”, and “Stuck”. The latter gave the most room for thought. An abstract word, but looking across the street at the prison I had many a wall to understand the imagery for the poem to explore. Further, I looked at the requester’s age and thought of myself in my late teens / early 20s and how sometimes my own emotions at that age felt like a prison. How sometimes being stuck is a depression that is hard to escape. This poem tried to offer the key to unlock the dream, but it mainly tried to give words to a feeling that is difficult to describe.

After the exchange we invited this group to share some of their own writing. Youssouf had described the typewriter poetry as being similar to freestyle, and was quick to spit some bars for the camera with a backing beat. He kept repeating sometimes a good bar is enough to dash the other lines, and his bars struck a high mark. Capturing the street life, imagining what it’d be like to be POTUS, giving heart to the flow of growth.

Soon it was time to pack up and we made our way over to the Pizza & Poetry reading series. Rocky had invited us earlier, saying it was a series he’d been organizing for over 30 years now. Today was a special one with the possibility that Walt Whit would make an appearance.

We met students from Rutgers, teachers and nurses, musicians and artists, and all sorts of writers. They each sat around with their fair share of pizza and without a list took to the stage to share their writing. Some shared lines from Leaves of Grass or Emily Dickinson. Others recited odes to Walt Whitman and the world he lived. Still others recounted their own experiences and emotions.

It was exactly what the day’s end demanded. A collaborative celebration of the community and its residents. The endless volley of spoken word, laughter, and applause. And before it was over, cake was served and Whitman got to blow out his candles.

I don’t know if the film will capture the spontaneity. It will seem as if we scripted the entirety of the day. The lessons and the power. The beautiful resounding glow of community members talking about how poetry has influenced their world. Instead, though, this is life in a nutshell. When you hop on the road and give your imagination to the wind, you are oft to find like-minds, like-spirits. A connection that feels synchronous. If only, because it is. There is beauty in this world and we are lucky when we get to share it.

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Filming a docuseries on Walt Whitman’s birthday

Travel By Haiku – Los Angeles Release Party!

This Sunday, May 23rd at 4pm PCT (7pm EST), #TravelByHaiku is getting far out on the digital road. We’ll be teaming up with Tomorrow Today in Los Angeles for an online release party. You can tune in from anywhere in the world!

RSVP here: https://bit.ly/TBHpartyLA
You’ll have to RSVP to get the Zoom link. Tickets are FREE. You can also purchase a signed copy of the new book with your ticket.

The night will feature spoken word, music, live puppetry, dance, and video art performances by John Brantingham, Kendra Adler – Word As Movement, Phoenix (Jenna Love), Lance Robertson, Holly Zimbert, Erin White & Ethan Foote, Marian McLaughlin, Stephanie Beattie, Cameron Christopher Stuart, Augustus Depenbrock, and Rowan Vanskyver Killian

Don’t miss out on the adventure!

Travel By Haiku – Los Angeles Release Party!

Travel By Haiku is out now!

Tonight is the night! Grab a ticket and take the ride. Tune in tonight, March 31st at 8PM EST for the online release party for #TravelByHaiku!

RSVP here: https://bit.ly/TBHReleaseParty

The show is FREE to attend. You need to RSVP to get the Zoom link. With your ticket, you can also purchase a signed copy of the new book.

The night will include a dynamic range of spoken word, music, live puppetry, dance, and video art performances
The night will be co-hosted by @therandomtearoom with tea and other cozy accoutrements.

Get in! Let’s journey together.

📸 by @sixnineteen

Travel By Haiku is out now!

Travel By Haiku – author bios

The Travel By Haiku online release party is on March 31, 2021. RSVP here: https://bit.ly/TBHReleaseParty

It’s time to introduce the writers whose haikus are featured in this new collaborative collection. Let’s start with Gus!

Augustus Depenbrock spends his time in Los Angeles puttering around the garden. He imbues his dreams into many objects whether they be words, soil, paint or stone. It is all a part of the magic to explore around us.

His haiku collaborations are featured in Travel By Haiku, Volume 6: Desert Jesters Swim In Ancient Seas. This section follows our journeys through the Big Bend area of West Texas. This trip took place in 2015, while I was on the second leg of my first US poetry tour from the east coast to the west coast.

It picks up right where Travel By Haiku, Volumes 1-5: Still Trippin’ Across The States leaves off. It’s right before I discovered Taos, NM, where you’ll see in the book, I end up returning to and making my homebase for the journeys that launch in the latter third of the book with Stephanie Beattie and Cameron Christopher Stuart in 2016. It’s a wild start to a wild journey. No better place than the desert for it to start! You can learn more about the new collection on my website: https://bit.ly/TravelByHaiku

You can join us on the road, on March 31st, 2021 at 8pm EST.

RSVP on Eventbrite to receive the Zoom link: https://bit.ly/TBHReleaseParty

The event is FREE to attend. You can also purchase a book with your ticket to enjoy this epic, wild journey as it is released into the universe!

Travel By Haiku – author bios

Travel By Haiku – Big Reveal

I’ve been waiting for this moment for months! The advanced reader copies for my new book #TravelByHaiku came in the mail. This moment was made possible thanks to subscribers on my Patreon campaign.

Join them and Subscribe to my Patreon: https://patreon.com/marshalljameskavanaugh

Sign up for at least $3 per month before March 1st, 2021, and I’ll add your name to the acknowledgements when the book is published. $7 a month and I’ll mail you a copy along with some other goodies.

If you’ve enjoyed a poem in the past, I encourage you to sign up. Thanks to current patrons, I’ve been able to focus on assembling this collection, pay for professional editing, pay for peer review, and do all this despite having less access to my normal income of typing poems in public places as a result of pandemic lockdowns and winter weather.

Subscribers at any tier of support gain access to all of the behind the scenes that goes into creating a book. You’ll see rough drafts, notes about the writing, time-lapse videos of design work, a peek into special collaborations, and much more. All that, as well as special discounts for my webstore and upcoming events including the Travel By Haiku release party.

Any support will go such a long way. I’m currently hoping to reach my next goal of being able to pay all of the performers at the online book release party on March 31, 2021. If even a quarter of my followers here, signed up for $1 per month, I’d be able to achieve that goal and curate such a killer event worth remembering.

We’d bring #TravelByHaiku to life like never before seen!

Thanks all for following along. I hope to see you over on Patreon and share more of this collection with you as we get closer to the March release!

You can also RSVP to the online release party. Tickets are FREE. There’s also paid tickets where you can get tea and other goodies from event co-host The Random Tea Room! Go check it out here: https://bit.ly/TBHReleaseParty

Travel By Haiku – Big Reveal

Thank you everyone who subscribed to my Patreon!

Thank you so much to everyone who subscribed to my Patreon campaign! The next collection of #TravelByHaiku is going to be released in March 2021 and my Patreon is all set up to offer a backstage pass to publishing process.

Subscribe here: https://patreon.com/marshalljameskavanaugh

Any support will go a long way during this time when my main income of typing poems on the street is put on pause. Pledge as little as $3 a month and I’ll even throw your name in the book to acknowledge your support. $7 or more a month and I’ll mail you a signed copy when it’s released in 2021! There are multiple tiers of support each with their own rewards available for all budgets.

If you’ve enjoyed a poem in the past, please consider signing up for a monthly subscription! Otherwise, thanks for dreaming here with me all year. I hope a poem finds you well, in this period of collective struggle.


Travel By Haiku, Volumes 6-10 is a collection of haikus written on 3 separate road trips, with 3 separate groups of friends. There are 3 sections of collaborative haikus written with the friends on each road trip, and 2 sections of travel essays to give context to the wild ride. The result is a page-turner that guides the reader through a dreamy adventure across deserts and forests and blue lakes filled with wonder. I can’t wait to share it here with you and take all of you on the road with some far out friends.

Thank you everyone who subscribed to my Patreon!

THOSE KENSINGTON BLUES STILL RATTLING THROUGH

THOSE KENSINGTON BLUES STILL RATTLING THROUGH

Something about the Kensington Blues. The way the L train yo-yo’s through everyone’s backyard. Toxic grit and refuse spattered across abandoned lot lawns. Contrast between condo and dilapidated dive bar. Brooklyn style gastro pub and abandoned warehouse. City of shells quickly being filled with new hermit crabs.

The setting for what once was a community of strong guitar savants. Those who stuck around seemingly rising to nostalgic fame. And yet, in their songs you can picture them sitting by themselves in their living rooms twiddling away on some chord progression that has the harmonics and melody of this desolation of peak capital.

Over and over again the same chord like a drone. Causing the body to whirl like in a dervish. An opiate nod between K & A. Soundtrack to post-apocalypse. Wild westerns just across the border in East Kensington.

It’s three or four songs in when the Solar Motel Band really starts creating some electric friction, and Chris Forsyth is shredding his guitar cable against the fret board amassing a wash of noise that shocks the inner core, when I realize all this while how the musicians of this corridor have developed not just their own style, but a pseudo-language in which they respond to one another. The former music scene that used to reside here now dispersed, replaced, growing up with new parts, but still these guitar heroes offering up their twin stacks full of feedback. I wonder if this song now being spun is a nod to Purling Hiss or Birds of Maya or going back even further in the lexicon to acknowledge the art warehouse foundations scoured by Bardo Pond.

The language in its current evolution a pop rock that speaks to a wider audience, and yet sets it on repeat in order to break it down, piece by piece, until the whole shit has gone up in flames, and then they rebuild it. Bass rumbling through a fine walk around town, while guitar flutters between verse and solo and static and wall of frequencies both angelic and alarming. The audience stuffed into a dark, low-lit room, with an open window to the L train and Front Street as the backdrop to the stage. A “Renaissance painting” of viewers looking in from the outside.

Almost five years gone by since I left this neighborhood to the vulture capitalists, only to come back and find the artists have dug into their trenches and become even more prolific.

There are dream tones in the Kenzo Haze that impregnate even the most obstinate transplant. Perhaps the language between these guitarists is not theirs, but the land’s. Open terrain that was consumed by a wave of development, and yet still there are still these white elephants of warehouses glowing brightly under the moonlight full of such brilliance waiting to be repossessed. The great art factories of the River Wards.

It’s almost midnight and the song, at least now an hour and half long continues to hum out into the open air. It seems to say, “This ain’t the Grateful Dead. This is the Grateful Living!”

I wonder what the passengers on the L train rattling through these Kensington Blues are dreaming of tonight.

THOSE KENSINGTON BLUES STILL RATTLING THROUGH

The Urban MYTHOS

THE URBAN MYTHOS

The Zen Lunatic sits at the center of the garden and pulls at the mugwort. His motions are deliberate and fluid demonstrating how he is one with his surroundings. This little patch of Earth amidst the concrete chaos surrounding it. Attentive to detail, over the years he has carved out this niche for the concrete to rewild.

As he pulls at the roots, he talks about the herbs and medicinals and wildflowers that surround him that most people would consider weeds. He talks about the dead nettle and the red clover and spring mint and of course the mugwort.

“Last year, I really whacked away at the red clover and I don’t think it was too happy with me. It just didn’t flower that much, even where I wanted it to.”

“But I thought we gathered the red clover last year.”

“No. That was two years ago.”

“Oh, I thought that was last year.”

“No. That was two years ago.”

“Oh.”

“This year I’m just going to let it do what it wants to do. And I think we’ll both be happier”.

He motions me over to where he’s standing and points at the pathway in front of us.

“I think the plants have finally figured out where they’re supposed to grow. They’re growing in these borders around pathways and then where people walk there’s more of this groundcover type stuff that lays low to the surface.”

He kicks at the ground to show how low lying the plants are where there is a pathway from people consistently walking on it over the years. Then he shows how the ground is sinking in some places.

“I want to build a multi-level terrace around here leading down to where this tree is growing. But I might need a team for that. I could probably do it myself, but it would take a while.

“That’s something that always impressed me about this land. It has so many interesting contours and subtle slopes for the plants to navigate.”

I snap a photo of a pair of red Air Jordans hanging from the telephone wire glowing orange in the golden hour of the setting sun. It’s interesting to me how the background of the photo is what makes the photo. The shoes alone describe the setting, but they need pieces of the setting like the one-liner tags sprayed on the concrete wall in the lot across the street and the water tower a few blocks away beside the back sides of several dilapidated rowhomes to describe perfectly what the shoes represent.

I snap another photo of the new Comcast tower downtown framed by two abandoned row homes and a whole bunch of wild space from where we stand. I talk about how I could post these photos on Instagram but I don’t think the audience there understands the language they work in.

“It’s like an old language that I was used to when I first moved to Philly that you could find all over the place in publications like Megawords, but I don’t know if anyone pays attention or knows how to read that language anymore.

“Like the language is saying this is blight and that is the ivory tower of corporate powers that profit off the poverty here. But there’s also beauty here. Like the land is rewilding out here. It’s free. It’s a jungle. It’s a type of landscape the people that live over there have no understanding for.”

He leads me over to the mugwort border wall near the entrance in front of the Aztec sculptures that greet all who enter.

“Look at this pathway here. The garden grew this one all on its own.”

It’s a natural zig zag in the clover and mugwort. It’s like a giant snake slithered and sidewinded through the garden recently. I look at the dragon sculpture next to me glowing red and orange with a beard made of flames.

“Hey, man! I think it’s that dragon. He came to life and slithered through the grass.”

“Yeah, man. It’s like the garden grew a tail.”

The Urban MYTHOS

Poets For Peace, tour no. 8: day 1 – recap

POETS FOR PEACE

Tour no. 8

Day 1 – Richmond, VA: recap

on the road with Marian McLaughlin (@marianmclaughlin) and Erin White (@movedtomove)

An ease of being settles upon the car as we leave the congestion of DC and enter the South. We write haikus into the car register, noticing the redbud tree blooms and the state mantra, Virginia Is For Lovers. Romance is on the horizon with the fabric of nature waking interweaving with the road.

Richmond is a green city with trees growing out of ruined mills and the James River flowing through providing relief for the 80 degree temperatures. Our host for the evening @earthfolkrva is a giant farm in the middle of a residential area of Southside. The residents are out working the land and already the land is rich with herbs and produce. We have several stages to choose from between an old farmhouse built in the late 1700s or the backdrop of a vintage camper. We decide to use the white facade of the garage for projections as the sun goes down.

Fellow Earth Folk arrive, and soon the night kicks off with a special charm. The White family is there and Erin’s father has brought his bluegrass band to set the mood for the get together. Appalachian lilts that set the spark to light the bonfire, as golden light reaches the trees from the sunset and all the birds above cry out from their roost sharing an excitement towards the evening’s warmth.

Erin and I perform haikus with accompanying movements and behind us a pack of Coydogs start to howl and wail their approval. This little patch of forest. Maintained by noble stewards. There is talk of the land and its original inhabitants. Meeting grounds between the Powhatan and Algonquin. The exchange is scored by Marian McLaughlin’s odes to the change we are seeing to the planet in our lifetime. Receding wilderness and extinction of species.

The open mic begins and in the voices I hear how synchronous it is the folks who have gathered here. True Earth Folk. Fellow Earth Lovers. Truth Seekers and Fairy Kin. Their words describe the experience to be one with nature. Wild Folk fearless before Late Stage Capitalism. The spirit they offer to the land is enough to save it for future generations.

Poets For Peace, tour no. 8: day 1 – recap

Updates for the forthcoming novel

Writing a novel has been really good for all of my other chores. I find a million and one excuses to keep me from actually sitting down and writing it. Today it was folding my laundry, fixing my bike, shoveling snow, taking a shower, and oh wow! now it’s already time for dinner. Yesterday and the day before I rearranged my room and set up my bookshelf. I even went to a Walt Whitman-inspired open mic and ended up winning runner up in a competition for $100 to see who had the best Whitman-inspired piece of poetry.

That piece was written on the same road trip that this novel is about. We started the trip reciting passages from Leaves Of Grass in the voices that Kerouac and Cassady must have used when they were traveling on the road together back in the days when the Beats were still learning how to rhyme. Eventually we were writing pieces in the same style and one of them that I read last night was judged as second best in a room of Whitman scholars.

The piece is a list of all the cows I saw on the road from here in Philadelphia all the way to San Francisco and back again. A play on the pastoral, set in every type of landscape both urban and otherworldly you can see in this country. Using this nation’s top industry to describe the beauty that these bovine often cause environmental havoc upon.

I guess for me, what stuck out about Walt Whitman is the sense that he’s always making lists. Listing the tiniest details about an odd assortment of working class people and their environment to create a collage of the industrial revolution he witnessed in his lifetime in America. He talked about both the positives and the negatives but let them speak for themselves. And in a sense there was romance in all of the things that he saw, even if some of them were terrible.

The cow piece was a fun piece to write. I had fun having a chance to let it be heard out loud. Didn’t expect much in the way of competition so was happily surprised with its reception.

Anyway, back to the novel…I think it’s a good one. I want to share it with you before it’s published. Open it up to a dialogue. Let you read the pages I’m really proud of.

Like the chapter I wrote last week about Yosemite Valley. I just read it again this afternoon. About ten or fifteen times. That’s another thing I do while writing this novel. Get hung up on chapters that I’m really proud of and then second guess myself that I’ll ever be able to write something as good again. Forget that there’s been plenty of bad novels published that have still been enjoyed by someone. The trick is to just finish them.

So yeah, I’m still writing. Today I’m starting a little later than I would’ve liked to and that’s okay because it’s a miserable winter day outside and I took care of all my other errands that were bogging me down. I’ll keep sharing my progress as it comes.

If you’d like to read the poetry about cows or that chapter about Yosemite Valley go take a look at my Patreon. You can throw me some doll hairs and read my writing. The support will motivate me to keep going on it. Maybe I can even finish it by the end of next month and get started on the next one. There are two novels in my head that have been sitting patiently while I finish writing this one. Anyway, I’d love you to see its pieces and to hear what y’all think. I have a feeling the campaign will be constantly evolving as well, so expect more announcements and other rewards to develop.

Thanks for everyone who’s taken a peek over there. I know there’s plenty of other things to support right now. Travel made me more humble and I’m content with however it all turns out, but think it’s fun to share the process.

Become a patron: http://www.patreon.com/marshalljameskavanaugh

Updates for the forthcoming novel